in relation to their own diverse experiences, cultures and practices, Phumzile Khanyile, Atika Zata, Chase Barnes, Heja Rahiminia, Leia Ankers and David Severn explore questions of control
Projects
O’Keefe chronicles the individuals who have dedicated their lives to collecting seemingly unlikely objects: “They’re the happiest people I’ve met” he tells BJP
Inspired by the theory of plate tectonics, the South Korean artist wields everyday objects in her elegant towers, creating quiet, weightless images
Fascinated by the scientific and mythical implications of nuclear fusion experiments, Ezio D’Agostino traversed into the depths of ITER, the world’s largest power plant dedicated to harnessing solar energy.
David Moore’s pictures of Midlands housing estates pioneered kitchen sink realism in colour. Revisiting them is a chance for archival control and new representation, he tells Louise Benson
Shot over two decades, Thatcher’s Children follows two generations of the Williams family, let down by the systemic failure of successive governments’ social policy
Following those who have endured years of domestic servitude in the Middle East, A Life After Kafala unearths tales of strength and resilience as exploited workers return to their homeland and families
Referencing an EE Cummings poem, Of Solongs and Ashes brings to mind the fleetingness of life – and memories of the country the artist was forced to flee
Alessandro Di Giugno’s images of his hometown show a city and its people refusing to be defined by recent history after four decades living with the mob’s crime and intimidation
The photographer’s collaborative project communicates “both the comfort and despair that we find in those we are connected to”